Chaos of Post-Truth: Alex Garland’s Annihilation
Annihilation portrays the chaos of “post-truth” in narrative form.
Reviews
Reviews of books, music, film and other bits of culture
Meaning’s Music: A Review of William H. Gass’s Middle C
Gass’s new novel, Middle C, is likely to strike most readers as less dependent on language games, but such an impression would ultimately be only superficial.
Aaron Burr: Good Father, Good Shot
H.W. Brands's The Heartbreak of Aaron Burr lays out the details of Burr’s lifetime in short, swiftly moving chapters.
Why George Saunders Needs to Stop Repeating Himself
A major risk for any author—especially one whose main theme involves human consciousness—is overusing certain techniques and letting the voices of characters overlap and repeat.
Review: How to Keep Your Volkswagen Alive by Christopher Boucher
Of all the preposterous faux vehicle manuals out there, Christopher Boucher’s How to Keep Your Volkswagen Alive has to be the most ridiculous.
A Dreamy Look: A Review of Diane Williams’s Vicky Swanky Is a Beauty
If flash fiction appeals to a new, attenuated attention span among some readers, Diane Williams's stories reward expanded attention and encourage rereading.
DVD Review: The Exterminator
One of the first exploitation films to be shown endlessly during the early days of cable, 1980’s The Exterminator is also one of the more grim entries in the genre. Gory, jaded and ambivalent on the merits of the vigilante, it anticipated Bernard Goetz by a few years.
Review: The Names of Love
Picture this: a secluded scientist waits in a checkout line for his new love interest to return with an item. An unusual pickup for him, she had invaded his radio interview about bird flu (he's an expert) and then asked him to bed when they had drinks.
DVD Review: Adua and Her Friends (Adua e le Compagne)
Antonio Pietrangeli's 1960 film Adua and her Friends (Adua e le Compagne) explores the end of an era and points to future cultural upheaval.
Review: Page One: Inside the New York Times
Andrew Rossi's Page One: Inside the NYTimes looks to newspapers long past their heydey.