Book Review: The Complicities by Stacey D’Erasmo
How and where do you draw the line between self-deception and lying?
Reviews of books, music, film and other bits of culture
How and where do you draw the line between self-deception and lying?
How does one adjust to the dark? How does a poet remain a poet? If one isn’t actively producing and publishing, are they truly a poet?
Robert Vaughan’s Askew is a collection built from a heart that knows why it beats.
Annihilation portrays the chaos of “post-truth” in narrative form.
Gass’s new novel, Middle C, is likely to strike most readers as less dependent on language games, but such an impression would ultimately be only superficial.
Book review: H.W. Brands's The Heartbreak of Aaron Burr lays out the details of Burr’s lifetime in short, swiftly moving chapters.
A major risk for any author—especially one whose main theme involves human consciousness—is overusing certain techniques and letting the voices of characters overlap and repeat.
Of all the preposterous faux vehicle manuals out there, Christopher Boucher’s How to Keep Your Volkswagen Alive has to be the most ridiculous.
If flash fiction appeals to a new, attenuated attention span among some readers, Diane Williams's stories reward expanded attention and encourage rereading.
One of the first exploitation films to be shown endlessly during the early days of cable, 1980’s The Exterminator is also one of the more grim entries in the genre. Gory, jaded and ambivalent on the merits of the vigilante, it anticipated Bernard Goetz by a few years.