Duende
I was conscious that the Spanish we were using was Hemingway’s Spanish, that we reduced the animal to dialectical terms of good or bad depending on how it met the people’s ideal, and I partook of this with great enthusiasm.
I was conscious that the Spanish we were using was Hemingway’s Spanish, that we reduced the animal to dialectical terms of good or bad depending on how it met the people’s ideal, and I partook of this with great enthusiasm.