Elizabeth Cox
"There is no right or wrong way — just a way of noticing the way things happen in the world that is natural and organic. Plot can come pretty easily out of this exercise."
Interviews with writers.
"There is no right or wrong way — just a way of noticing the way things happen in the world that is natural and organic. Plot can come pretty easily out of this exercise."
"What always has interested me is the way that books are different from the writers. When I write a book I always look for that moment where the book abandons me and starts to express a view of its own."
"I never specifically answer what's real and what's not in my books. I think that my vision is true to the moral thrust and the psychological thrust of history."
"Part of the reason a worthless book is worth retaining is that its worthlessness means something."
"I think there is something about the fixedness of male sexuality that is comforting to us. Or the alleged fixedness."
"I like the mental puzzle involved with dealing with a real situation rather than one that you can just arbitrarily choose to change. And frankly I like the social mission of writing non-fiction."
"It's always amazing to me how people live in a city and don't know the history of that city. I've been to Lawrence, Massachusetts, and I would bring up the textile strike of 1912 and nobody would know about it."
"I am not in the business of making people feel bad. I'm in the business of telling people how it might possibly turn out, that in this situation love conquers all."
"When we talk about a novel provoking emotions, we tend to think of the emotions that have to do with our own amatory life. I think that books can be emotionally exciting in many different ways."
"In Paris we had — not just we had, but one has — a genuinely beautiful existence. That is to say, all of the little details of life — or nearly all — are pleasing."