Up-and-Coming Artist: Ash LaRose, Photographer
Ash
LaRose's photos explore the beauty--and vulnerability--of young
women
Interview by Alexandra Tursi / Photos copyright
Ash LaRose
Posted: October 22, 2007










Web site: www.ashlarose.com
Blog: www.ashlarose.blogspot.com
Ash LaRose is a Burlington-based photographer
whose images explore the beauty--and vulnerability--of young women.
More so, she uses the camera as a means of exploring feminine identity,
both her own, through self-portraiture, and that of others, friends
and strangers alike. Though she aspires to celebrity portraiture,
her images of unknown women force the viewer to examine the face
in front of them for points of connection rather than tabloid recognition.
“Sometimes I look at a woman and I get captivated,”
she told me. “Not with a man’s gaze, but sometimes you’ll
look at a woman and know that she has the power to wrap someone
around her finger, to influence someone, to get you. It’s
still something I’m trying to figure out, but it’s an
idea that I’m intrigued by.”
It was the exploration of feminine beauty and identity that gave
LaRose her first break: a featured spot in a juried exhibition at
Cooper Union entitled INDWELLING: Living in a Female Body.
Joyce Tenneson juried that exhibition. “I was one out of 150
chosen from entries submitted from around the world. I got the email,
and I was ecstatic. Literally my face started turning blue.”
The young LaRose is finding it increasingly difficult to capture
those rare, unguarded moments though. “I try to make women
not look like sex objects. I look at modeling web sites and all
the girls are doing what I consider generic poses of woman contorting
their bodies in sexual poses. A model I worked with starting posing
like that and I had to stop her. I’m not interested in that.”
Raised in Queensbury, New York, ten minutes from Lake George, in
what she classifies as “quintessential hometown America,”
LaRose was drawn to photography upon returning to community college
after a particularly difficult year. “There was a black and
white course. I actually remember the exact photograph. I was doing
a light study of my friend. And I did a shot of her with a silk
blindfold and I was developing that shot in the tray and I said
to myself, 'You know what? This is a lot of fun.'”
She came to Burlington to gain exposure in a small city with a
vibrant arts scene. It’s not an atypical bohemian life. She
currently splits her time between her passion and the paycheck:
serving up hot caramel macchiatos at Starbucks, then hitting up
the galleries on a day off. And LaRose is eager to get out there,
whether it means hanging her art at the hot bar in town or at an
up-and-coming gallery space.
The free moments are also spent exploring and collecting little
things – pin-up posters and old furniture, old movie posters…inspiration.
“It’s funny because my parents are big antiques collectors,
and I used to protest that I wanted a modern home with modern furniture.
Now I like those things. Worn things inspire me. Objects with stories.”
The same goes for her studio space, which is filled with objects
to draw out a model’s inner spark – wigs, flowers, necklaces,
an old silk slip. And a reflector…
So what’s the next project LaRose would like to sink her
teeth into? “Photographing men. With men you’re not
capturing beauty in the same way,” she says, “Unless
you’re Jude Law and groomed like a poodle from head to toe.”
___
Alexandra Tursi
edits the Visuals section of Identity Theory
and also contributes to our Social
Justice Blog. She went to Cornell and lives in Vermont and has
blonde hair and green eyes. You can email her at tursita@identitytheory.com.
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