
“And sometimes the epigraph becomes too heavy for the story and sometimes it seems too overwhelmingly portentous for the story. If it approaches sidewise, it’s more effective.”

“And sometimes the epigraph becomes too heavy for the story and sometimes it seems too overwhelmingly portentous for the story. If it approaches sidewise, it’s more effective.”

“One of the great parts of being an American writer is that so much is going on here. It is exciting to the rest of the world, too. When I am in Europe people are quite excited about American fiction, and there is a sense that American writers are doing all kinds of different things—which they are.”

“I think people tend to racialize, and in some contexts that is necessary. In the context of just being human and falling in love and all of the things that human beings do, I don’t necessarily think it should erupt. It’s a horrible thing when it does because it means that the racists have won.”

“Most American fiction is about people who win. And if it’s about race, it’s about how black people change white people.”

“I always knew I wanted to be a writer. I wish it hadn’t been, but it was struggle to decide to do it. It never really was a question in some sense. I just wish I knew it wasn’t a question.”

“I was a victim of the American cultural myth that genius requires no work. That if you have to work at something then you are not really gifted at it.”
American Indian filmmaker/writer talks with Robert Capriccioso

“In America, as in most western countries, the writer is not really feared any more. Nobody fears your bite. So you have to work from a reckless inner need.”

“The reason that early success can be so disorienting to writers is that for one [thing] it leads them into overproduction.”

“I didn’t even know how to make what I wanted. I just knew that I could see it in my mind’s eye for a flash of a second and then I was in the dark. So I was mainly in the dark, experimenting with this book.”

“Serious readers—people who are really, really passionate about American fiction or fiction period—are disproportionately story readers. The people who are there for you for your story collections are your real readers.”

“I’ve always struggled with this idea of normalcy, of what is normal. Because I have never felt normal as a human being. So I tend to glamorize people who are more simplistic because I think their encounters in the world might be easier.”

“It’s a nice idea that there are doctors and lawyers and investment bankers all walking around remembering The Odyssey. “

“The great joy of acting is the collaboration. I get so much of that, I feel really drawn to the isolation and solitude of writing. It’s a real joy for me.”

“I think the Pulitzer often goes to writers who are writing about America in some larger way than in writing about particular Americans. And Empire Falls was some sort of snapshot of some part of America.”

“Anything that stops and tries to make us feel human as opposed to making us feel like consumers or productive units, I think that’s important.”