Many recent films have brought historical verity to narratives clouded in myth.
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The stories in A.L. Kennedy’s What Becomes seem driven by two entities: the author’s brain and her prose appendage. The latter is so alive it appears to possess a separate language pulse. In heightened moments Kennedy uses language to bind thought to physical sensation, which in turn stimulates a replicated response in the brain of the reader. This simulated experience is what makes her stories so striking and also intense.
Declan Kiberd, a professor of Irish literature, has set out to rescue Ulysses from its reputation.
Scialabba writes as if he's trying by sheer example value to will a smarter, more honest, more aesthetically and morally sensitive Left into being.