
We considered Mabel housebroken, but as any good Buddhist—or new dog owner—knows, identity is a construct, subject to change. In other words, accidents happen, especially when no one’s watching.
When I ascended to the den, pliers in hand, to watch the Americans go down in Lillehammer, I knew I didn’t want to go out like them.

I want an example, a model for how to live independently, with the smallest bit of indifference and anonymity, without fear, for a while, for the summer.
I was 16 in 1994. I had a crush on a girl at my high school named Stacy. She was two years older — blonde hair, a grunge band on her t-shirt and a constant half-smile on her face — and it goes without saying that she had absolutely no interest in me.
The place in the brain where language sucks meaning can seem like nirvana.
Not infrequently, the most convincing testimony to the veracity and potential power of new scientific discoveries is when they’re embraced–for profit-driven motives–by corporate America.

I would have to try even harder to get back the silence, not for my own peace of mind but out of respect for the dead.
I was eighteen years old when my daughter, Belinda, was born—a kid having a kid. I didn’t see myself as a kid, of course. That understanding came later.

In a global society dominated by corporate media conglomerates and sensationalist news coverage, we forget that underprivileged voices are important not just as means to forwarding various agendas, but as ends in themselves.
We’re pouring concrete into holes created by IEDs—roadside bombs. The ground in Iraq is extremely hard. A landscaper’s nightmare, it’s not made for digging and planting. Most of the IEDs are set on the top of the ground.
This clothing, this changing of the clothes, is not at all like Superman.
The emerging field of the neuroscience of empathy parallels investigations being undertaken in cognate fields.

These people make objects out of everyday things—not just because concrete and junk and chewing gum are cheap, but because they’re there. They work with what they know.
I take a breath and pop it into my mouth. At least she hasn’t tried to make me eat the fish eyes or chicken feet for sale in the night markets of Taipei.
Etching is the art that understands that the only way to reach knowledge is to suffer the opposite. Like the whalers on board Pequod, we must cross the line.
On June 1, Simon & Schuster/Touchstone released Living on the Edge of the World, an anthology of essays from New Jersey writers about their home state. The book includes original selections from Tom Perrotta (Little Children), Joshua Braff (The Unthinkable Thoughts of Jacob Green), Jonathan Ames (Wake Up, Sir!), and many more refugee and remaining Jersey scribes. This brief piece from the anthology is adapted from Christian Bauman’s new novel, In Hoboken (Melville House, March 2008).
The pennant wasn’t at stake, not, as I can best recollect, when
I awoke alone in my apartment in the eighth month of my marital
separation, glad about the sun and looking forward to being with
my two children again.
Warblers are not beefy like geese; a goose on your head gets irksome, compressing your neck; but a warbler could spend the week there undetected, like a cherry or a shilling.
Potatoes are dropped into a pan of steaming water. Turkey is layered with corn, tomatoes, rice, and cheese. I no longer know whose hands are mine.
It is gray and frigid outside. I have accomplished little at my desk. I have plans, when I return home, to draft an essay about love. So I want my walk around the lake to go quickly.