Steve Almond has a future-of-publishing piece up on The Rumpus, touching on what it’s like dealing with an agent who says your novel is “too literary” for today’s market.
Sacred Hunger is set a few decades before the American Revolution or French Revolution — but we feel them brewing in the novel’s every line.
Margaret Atwood, Negotiating with the Dead — “Obstruction, obscurity, emptiness, disorientation, twilight, blackout, often combined with a struggle or path or journey – an inability to see one’s way forward, but a feeling that there was a way forward, and that the act of going forward would eventually bring about the conditions for vision – […]
Richard Hughes, Fiction or Truth — “… for most of us Fiction in one form or another offers our only way of experiencing the identity of others. This identity is the necessary ground of Ethics.”Maryanne Wolf, Proust and the Squid — “This period of childhood provides the foundation for one of the most important social, […]
“She never puts on any weight, you’ll notice that’s often true of selfish women.” — Joan Didion, Play it as it LaysIt’s part of the job of novelists or their characters occasionally to throw out such over-generalizations. Ideally they ring somewhat true, or at least tell us something about the narrator.From David Foster Wallace’s story […]
Nathan Heller, writing in “Slate” —“Nine Stories is a book about war trauma, but in its setting, storylines, and style, it is the most oblique war narrative imaginable. Salinger captured the personal refractions of a national crisis and placed them into the hollowed-out shell of domestic narrative. This was, in many ways, the genesis of […]
Here Salinger invented a good example of a bad first line — we disbelieve in Henshaw from the get-go.
I have some thoughts on J. D. Salinger up at Open Democracy.Will we find out now what he was up to for the last forty-five years? There should be a word “privashing,” meaning “to do the opposite of publishing.” Kafka privashed most of his work – although the concept is clearly contradictory from the get […]
This book blew me away when I first read it in the late 1970s. I was a pre-teen then, and I’d never been to America, so the whole American context of the book was strange to me. I still don’t know if Catholic schools on the East Coast are actually like this… maybe I’m better […]
Tom Wolfe wrote — in the appendix to his classic piece “The New Journalism,” which for now you can find here — that myth couldn’t have been “further from the minds of the realists who established the novel as the reigning genre over a hundred years ago. As a matter of fact, they were turning […]
Susan Palwick’s story “Gestella” can be found in her collection The Fate of Mice. It’s a very realistic portrayal both of the ways men mistreat women, and of the ways men mistreat wolves.Palwick could have made the woman and the wolf distinct victims, but then the parallel between their fates might have felt too forced, […]
A playwright who used to write short stories told me how much he likes being able to leave it up to actors how to interpret a line of dialog.A novelist who writes “He stared wistfully into space” may feel obliged to strike it out as a cliché, then try to come up with something more […]
Napoleon reportedly said the time of greatest danger was the moment immediately after victory.They used to have posters in the U.K. saying THE FIRST FIVE MINUTES OF LIFE ARE THE MOST DANGEROUS, on which a graffiti artist commented, The last five can be pretty hairy too.“If you’re keeping a dozen balls in the air, the […]
What does this game have to tell us about holding the reader’s attention? Give it a go.Could you stop pushing the red button? I couldn’t. In the words of David Foster Wallace, “There’s some weird, delicate, I-trust-you-not-to fuck-up-on-me relationship between the reader and writer, and both have to sustain it.” For me, this game somehow […]
Nicholas Ostler’s Empires of the Word is about widely-spoken languages, but Ostler is also the chairman of the Foundation for Endangered Languages. He mentions in Empires of the Word that “it is reasonable to believe that, for half the world’s languages, their last speakers may already be alive today.”I’m obsessed with how it feels to […]