Matt Borondy: Felicia Sullivan's
The Sky isn't Visible from Here;
The Collected Stories of Amy Hempel; and three random picks from the Burlington library (I just got a library card for the first time in five years):
How to be Alone by Jonathan Franzen,
Back on the Fire by Gary Snyder, and
The Best American Essays 2007 ed. by D.F. Wallace. I'm also hoping to read Chris Abani's
Song for Night and Hari Kunzru's
My Revolutions, which were recommendations hurled at me via
Facebook.
Robert Birnbaum:
The Silver Swan by Benjamin Black (John Banville),
Kyra by Carol Killigan,
Dominion by Calvin Baker,
Tree of Smoke by Denis Johnson,
The Flowers by Dagoberto Gilb,
The Soul Thief by Charles Baxter,
The People's History of American Empire: A Graphic Adaptation by Howard Zinn w/ Mike Konoipacki & Paul Buhle,
A Treatise of Civil Power by Geoffrey Hill,
The Expeditions by Karl Iagnemma,
The Art of Funerary Violin by Rohan Kriwaczck,
The Thing About Life is That One Day You'll Be Dead by David Shields, the
London Review of Books piece on
Praised Be Our Lords: The Autobiography by Régis Debray, Vol III, A FINANCIAL TIMES piece on James Wood (
a critic of sublime ferocity) by Trevor Butterworth, Michael Lewis's piece on football locker rooms in the NYT magazine.
Stephanie Johnson: I'm currently reading/planning to read Tessa Hadley's
Sunstroke and Other Stories, Kenzaburo Oe's
A Personal Matter, Jonathan Selwood's
The Pinball Theory of Apocalypse, and
The Braindead Megaphone by George Saunders.
Alexandra Tursi: I have a few stories left in
The Collected Works of Amy Hempel, which is marvelous. Next up is
Signed, Mata Hari by Vermont-based writer Yannick Murphy, then
A Plea for Eros by Siri Hustvedt. I noticed Paul Auster's
Travels in the Scriptorium on a recent trip to Borders and hope to pick that up and read it before the end of the month.
Mara Naselli: I'm reading and rereading
Brown Bear Brown Bear, Hop on Pop, The Very Hungry Caterpillar (a favorite),
That's Not My Dinosaur (another favorite),
Green Eggs and Ham, Goodnight Moon, and Let's Go Visiting. And that's about all I can handle.
Elham Shabahat: Joan Didion's
White Album and Albert Camus'
Exile and the Kingdom. I've also been rereading Kerouac's
On the Road. (The New York Public Library's excellent exhibit on Kerouac and my road trip vacation plans have something to do with that choice, I think.) Also, I recently attended a four day activist intensive on black resistance movements, and now I'm armed with a copy of
The Black Panthers Speak (edited by Philip S. Foner) that I hope to finish soon.
Alexandra Bullen: This month (last month, and probably next month, too) the book I keep coming back to is Nancy Milford's
Savage Beauty: The Life of Edna St. Vincent Millay...not just because it's a dense 600 + pages, but also there's something comfortable about living inside of it for a while. I've finally put down
Suite Francaise by Irene Nemirovsky, and can say that I enjoyed the many appendices much more than the book (or partial book) itself. Other than that, it's been a lot of airplane-friendly magazines. I don't know if I've been living under a rock (or on one...) but I've just discovered
National Geographic's Adventure Magazine...in last month's issue was a fascinating and very funny piece about those feisty Bonobos, and a tribe in the Congo that might be their last hope.
Labels: Amy Hempel, children's literature, essays, fiction, Joan Didion, magazines, nonfiction, staff reading
posted by Matt Borondy at 2/06/2008 06:59:00 AM

You can't always get what you want, but if you try sometimes, you just might find, you get what... you ask for (within the price limit).
At least that's how it works in my family at Christmas. My family is so huge, and so organized, that years ago we developed a Kris Kringle system for giving gifts. This is not unfamiliar to most people. But perhaps our Kris Kringle website concept is. The idea: Pick a name out of the "hat," send an email to my aunt telling her what you want, get it on Christmas Eve. She creates the spectacular Faughey family Christmas website, complete with signing and dancing snowmen, pictures of last year's festivities, and a link next to your Kringle's name directing you to correct shopping venue. Simple. Easy. Brilliant!
This year I asked for books -- books I thought I'd probably never get to read, considering I have a four month old baby at home -- because my Amazon Wishlist was growing long and feeling a bit neglected. So when it came time for me to open my Christmas present no one was surprised when I said, Yeah! Books!
"Tell us what you got!"
"O-kay," I played along, as if they had no idea. "Oh this one I'm really excited about. It's called Knitting Vintage Socks."
Oooooooooooooo, they sang in unison -- as though I was the conductor.
"And this one is supposed to be really good, it’s called Prep."
"What's it about?"
"Um, it's about some kids in prep school."
Oooooooooooooo, again - a little weaker.
"And this one is called The Year of Magical Thinking, by Joan Didion, and it's about... Well, it's about death."
Ewwwwwwwwwwww!
I turned to see my aunt's pursed lips and scrunched up nose -- she looked as though she'd just been given a mouthful of vinegar. She'd heard of the book, but Why?? was all she asked.
I don't know why I wanted The Year of Magical Thinking. I'm a young woman, recently married and a new mother, living in a beautiful new apartment; life is at its exciting beginning for me, and Didion's book is about losing all of that. In fact, her book is sad enough without knowing that a year after she lost her husband, just weeks before the book was due out, she lost her only daughter to the mysterious illness detailed in the text. I knew that, and yet I was drawn to those pages like none other in recent months. A few nights I even lay in bed, my thumb-sucking daughter at my side, reading passages out loud to her (of course, my sing-song tone slightly different perhaps than Didion intended).
I finished most of Magical Thinking one night I kept the light on until 3 am. My daughter doesn't even keep me up that late, so I can assure you the book must be good. The parts I enjoyed the most were those that gave me glimpses of Didion's life with her husband and daughter, when they lived in California and threw fabulous parties, went swimming in pools and noticed peacocks strutting around their garden. Then I enjoyed their life in New York, starting their early morning walks together in Central Park and then going their separate ways, working until late in the night and then going for dinner at some swank restaurant. But the parts that had me hooked were the ones where they fought -- you only got snippets of those ("Why do you always have to be right?") -- and the time they flew to Hawaii to "save their marriage" (which Didion wrote about in an article for Life). It seemed that life could be wonderful in the midst of the horrible, or horrible in the midst of the wonderful, and that made it feel so real. Familiar. I needed to know that, to be reminded of that as I sat inside my apartment, too cold to go outside, with company too young for conversation, with days growing longer and darker.
But of course this is a book about grief and the process of grieving, which leads to her title about magical thinking. Sometimes I wish for that magical thinking to come upon me before any kind of grief does. She imagined her dead husband walking in the door at any moment, in need of his shoes, and so she never got rid of them. I imagine myself up all night with a really good book, and so I pile them up next to my bed and still ask for more. I wondered, must we grieve for people -- can we grieve for time? Can we be living the happiest time of our lives, and still feel some kind of grief?
Magical Thinking is now on my lower bookshelf, where my daughter's restless and destructive hands might find it in a few months. Of course, I'll count myself lucky if they do. I'm off to read Prep, a book about some kids in prep school. I hope to finish it before next Christmas -- I hope to finish it in one glorious night.
So it turns out, at Christmas time, you just might find, you get what you ask for, and that could be just what you need.
-Deirdre Faughey
Labels: Joan Didion, nonfiction
posted by Deirdre Faughey at 2/06/2007 11:15:00 AM
I've been doing a lot more editing than reading lately, but I'm hoping to soon return soon to Lyanda Lynn Haupt's
Pilgrim on the Great Bird Continent: The Importance of Everything and Other Lessons from Darwin's Lost Notebooks and
James Baldwin's
Notes of a Native Son, to say nothing of the backlog of magazines piling up in my living room.
Also on my list is
The Whale Road by D. K. McCutchen, whose super work will appear early next spring in IDT nonfiction.
-Mara Naselli, nonfiction editor
Labels: nonfiction
posted by Matt Borondy at 12/18/2006 05:48:00 AM